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General >> Knjige & Filmi & Slike & Glasba >> Vpliv glasbe II http://www.gape.org/cgi-bin/yabb/YaBB.pl?num=1050147768 Message started by Andres on 12.04.2003 at 13:42:48 |
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Title: Vpliv glasbe II Post by Andres on 12.04.2003 at 13:42:48 Topic Vpliv glasbe nadaljujemo od tu http://www.gape.org/cgi-bin/yabb/YaBB.pl?board=knjige_filmi;action=display;num=992307045 obenem pa vas opozarjam, da je za vsa besedila pesmi na voljo poseben topic, http://www.gape.org/cgi-bin/yabb/YaBB.pl?board=knjige_filmi;action=display;num=1050145894 kamor lahko kopirate vse tisto kar ste sčasoma skupaj nabrali.:D Naj na tem mestu poudarim, da je prvotni namen topica Vpliv glasbe odkrivanje skrite kode, ki jo nosi vsaka pesem. Kaj takšna koda pomeni in kakšen vpliv ima. Andres |
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Title: Re: Vpliv glasbe II Post by Karmena on 12.04.2003 at 22:25:07 Long train running od The Dooby brothers je legendarna pesem. Po dolgem času sem ga slišala pred več kot nekaj dnevi v enem kafiču. Sliši se lahkoten a je daleč od tega. Orje in koplje globoko pod površino. To nasprotje vpliva na tak način, da telo sprejema in posluša, lahko tudi brez vedenja. Čeprav si v času, ko se vrti zaposlen in zatopljen v kake misli, ko se ta komad pojavi si v njem, se ne da preslišat. Karmen |
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Title: Re: Vpliv glasbe II Post by Andres on 12.04.2003 at 22:47:40 Ravno tako je z Road to hell. Andres |
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Title: Re: Vpliv glasbe II Post by Karmena on 13.04.2003 at 00:50:07 Uturi se Chris Rea, posebej zjutraj so ga precej dajali v eter pri nas. Nimam cdja lahko pa postrežeš z linkom za dekodiranje. Karmen |
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Title: Re: Vpliv glasbe II Post by Andres on 16.04.2003 at 01:37:37 Kot rečeno. Izvajalci dodajo svojo kodo h glasbi, nekaj tudi avtor, čemur se primeša še spremljava in dobimo podobo tistega kar nam pesem nudi. No, v posameznih komadih kjer nastopa violina kot spremljevalni instrument ta izstopa in zato avtor doda k temu svojo kodo. Podobno velja za citre v slovenski kulturni glasbi. In ker je razlog tega posta Kreslinova izvedba Vsi so venci vejli naj dodam, da ima bržkone ta pesem nek poseben pomen v slovenskem prostoru. Dajte si jo gor in takoj zatem še zdravljico. Katera vam lepše v uho pade? Meni osebno Vsi so venci vejli. Kljub vsemu to še ne razkrinka kode te pesmi, zato pa bi bilo dobro slišati tudi vas. Andres |
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Title: Re: Vpliv glasbe II Post by Karmena on 16.04.2003 at 03:01:00 Ne vem kaj si zgoraj mislil. Ugibam, da te venci in slovenc(lj)i asociira ne razmerje glasba - beseda v pesmi. Mešanje zdravljice z narodno pesmijo ni usodno, saj se to iz etno-folk-slsovenske glasbene scene razbere; izmenična pojavnost violine in citer, kjer obe ven prideta enakovredno izrazni. Pesem od zadnjič sem preverila, tako da sem jo zavrtela nekajkrat. Potem sem jo dala poslušat hčeri in jo vnaprej pripravila naj bo pozorna na njeno neposredno vzdušje. Pravi, da je skladba žalostna. Mislim, da bi se težko bolje "znajdla". Karmen |
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Title: Re: Vpliv glasbe II Post by Andres on 19.04.2003 at 02:19:50 Verjetno boste mislili, da sledeče vprašanje ne spada v ta topic, ampak vseeno bi rad vedel, če oziroma kdo med vami je igral, oziroma še igra Mario Brosa na Nintendo? Jaz sem ga včasih kar dosti igral. In vi? Andres |
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Title: Re: Vpliv glasbe II Post by himynameis on 19.04.2003 at 02:47:39 Andres wrote on 19.04.2003 at 02:19:50:
Ustvari si nov topic, tukaj govorimo o glasbi. :P ;D |
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Title: Re: Vpliv glasbe II Post by Kali on 23.04.2003 at 16:17:57 Bolj mi sede komad Vsi so venci vejli, drgač pa sem igrala Mariota, 10 let nazaj nazadnje. :) |
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Title: Re: Vpliv glasbe II Post by Andres on 23.04.2003 at 19:59:56 Petra. wrote on 23.04.2003 at 16:17:57:
Cool Kali. Ena torej, ki je tudi pred 10. leti Mariota igrala. No, ko sedaj po tolikem času slišiš tisto glasbo iz Mariota te kaj pritegne? Andres |
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Title: Re: Vpliv glasbe II Post by Kali on 23.04.2003 at 22:03:14 Kaj vem, kolk me pritegne, saj se redkokje kajn takega sliši, spomnim se pa vedno od kod je. ;) |
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Title: Re: Vpliv glasbe II Post by Andres on 23.04.2003 at 22:48:02 Kali! Glasba v Mariu je očitno delana po sistemu zasvojenosti. Vsaka glasba ki jo slišimo na radiu recimo nas ne more zasvojiti. Mnoge pesmi nam presedejo po dveh minutah, medtem, ko z Mariom je drugače. Andres |
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Title: Re: Vpliv glasbe II Post by Harry on 23.04.2003 at 23:59:01 Meni je recimo šla tista muzika pri Mariju na živce. Sam se je ni dal ugasnit. Se mi pa dogaja, ko se zjutraj peljem v službo, da se mi kak komad tako vsede v glavo, da si ga pol dolgo časa pojem v mislih. LP Harry |
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Title: Re: Vpliv glasbe II Post by Harry on 24.04.2003 at 00:06:37 Mi pa naprimer pomeni komad Long Road od Marka Knopflerja nekaj neverjetnega. V meni vedno vzbudi občutek lagodja in sproščenosti. In ta komad je večen. Če kdo ne ve, vsako noč je avizo na načnem programu val 202 po polnočnih poročilih. LP Harry |
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Title: Re: Vpliv glasbe II Post by LittleStar on 24.04.2003 at 08:20:44 Harry, kako pa kaj tisti CD od Knopflerja, ki si ga nama z Devi obljubil? ;) |
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Title: Re: Vpliv glasbe II Post by Harry on 24.04.2003 at 11:22:07 wrote on 24.04.2003 at 08:20:44:
Se že peče. V soboto ga bom dal Marjani ali pa kar tebi osebno, če boš v Ljubljani. Veš, da sem pozabil. Dobro, da si me spomnila. Samo tam gor ni Long road komada. LP Harry |
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Title: Re: Vpliv glasbe II Post by LittleStar on 24.04.2003 at 11:39:36 wrote on 24.04.2003 at 11:22:07:
Nič hudega. Hvala ti že vnaprej. :-* Kaj pa "What it is" je gor? |
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Title: Re: Vpliv glasbe II Post by Harry on 24.04.2003 at 12:37:31 Nea vem zdajle na pamet, ker sem v službi. LP Harry |
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Title: Re: Vpliv glasbe II Post by Andres on 24.04.2003 at 14:12:11 wrote on 24.04.2003 at 00:06:37:
A tega pa ni v MP3 ali pa vsaj v midi obliki? Andres |
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Title: Re: Vpliv glasbe II Post by Edi on 24.04.2003 at 14:23:57 Harry, ja in še Telegraph road, jest mam eno kaseto kjer je MArk in Chat Atkison, neki tazga, in je hudo dobro. Hvala ka si me spomnu, bom hitr kaseto poiskal. |
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Title: Re: Vpliv glasbe II Post by himynameis on 24.04.2003 at 15:57:33 Andres wrote on 24.04.2003 at 14:12:11:
Vse je v mp3 obliki, samo najt je treba. ;) |
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Title: Re: Vpliv glasbe II Post by Harry on 24.04.2003 at 23:41:39 Quote:
Kume, greš na imesh ali kazaa in potegneš dol. Lahk pa ti jo jaz zdrobim v MP3 in emajliram. ;) LP Harry |
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Title: Re: Vpliv glasbe II Post by Andres on 25.04.2003 at 00:52:47 Kume pikec mali:D. Daj prosim poslji mi ti to, obenem mi pa lahko das se kaksen link kjer se downloada to kramo za downloadnje glasbe. Sem vec na udbi kot pri radiu. :D zadjnih 24 ur Andres |
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Title: Re: Vpliv glasbe II Post by Karmena on 04.05.2003 at 04:25:53 Danes je pozno. Bom pa Računajte na nas na low frequency dekodirala. :) Karmen |
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Title: Re: Vpliv glasbe II Post by Andres on 04.05.2003 at 19:11:10 Sinoči smo imeli precej nostalgičen chat, lahko napišem chat downloadanja in primerjave skladb iz preteklega časa. Pač prišel sem do nekega neformalnega zaključka Da pesmi Računajte na nas, Druže tito miti se kunemo, Hej Brigade, Ob tabornem ognju in celo filmska glasba iz serije Sivi dom nosijo isto kodo. To so preprosto sedaj že zgodovisnske skladbe, pesmi, ki vsaka sama po sebi nosijo neko žalost ampak obenem tudi svoje vrste lepoto. Morda je lepote v njih več kot žalosti, vsak naj preceni sam, vir teh pesmi pa je v zahvalo Zibiju, ki je ta link predstavil http://www.titoville.com/sound/ Tu lahko pripišem, da Ob tabornem ognju niti ni tako hudo podobno kodirana. Šele v sredini komada se podobnost začne. Potem sem downloadal tudi nekaj od Bijelo dugme in Lipe cvatu ter Djurdjev dan imata isto kodo kar je logični. Isti izvajalec in vse to, vendar mislim, da je to sama po sebi destruktivna koda in ima blagodejen učinek le začasno. Seveda, če gremo južneje se ravno ob teh dveh komadih v omami mečejo kozarci v kot in ljudje si ob tem oddahnejo. Andres |
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Title: Re: Vpliv glasbe II Post by ziby on 04.05.2003 at 19:35:10 Kak mesec nazaj sem bil v rojstni vasici našega maršala Tita in moram priznat, da sem bil zelo pozitivno presenečen kako lepo vzdržujejo to vasico.Južni sosedje so nam lahko za vzgled glede ohranjanja zgodovinske kulture. Andres ker vem, da boš zaradi oddaljenosti tvojega doma težko še kdaj obiskal Kumrovec(predvidevam da si ga že) sem ga posnel in ti dajem link za ogled. http://www.burger.si/Croatia/Kumrovec/Kumrovec.htm |
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Title: Re: Vpliv glasbe II Post by Andres on 04.05.2003 at 19:43:19 HVala za link Ziby. V Kumrovcu še nisem bil. Tistikrat ko smo imeli namen, je bilo pozno in smo se kar mimo peljali. Drugič priložnosti nisem več imel. Bo pa še prišla. Andres |
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Title: Re: Vpliv glasbe II Post by Kali on 06.05.2003 at 18:26:25 http://forums.delphiforums.com/n/mb/display.asp?webtag=realmofbeing&msg=4111.1 |
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Title: Re: Vpliv glasbe II Post by Kali on 26.05.2003 at 11:54:42 http://www.gape.org/geeklog/public_html/article.php?story=20030520190801538 Zdravilne moči zvoka in barve |
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Title: Re: Vpliv glasbe II Post by Kali on 22.07.2003 at 03:01:00 ]Music offers scientists way to explore mysteries of consciousness Scientists are trying to understand why music - a pleasurable but seemingly unnecessary part of life - is universal in all human societies, ancient and modern. Archaeologists have found evidence of musical activity dating back at least 50,000 years. Even babies as well as some animals, such as birds, whales and monkeys, have a built-in sense of tone and rhythm, according to a set of six papers on the origin and function of music in the July edition of the journal Nature Neuroscience. "Every culture we've ever looked at has music of some sort," Marc Hauser, a neuroscientist at Harvard University in Cambridge, Mass., and author of the leading paper, said in a telephone interview. "But why that is so is a puzzle." . . . . več : http://www.realcities.com/mld/krwashington/6273851.htm http://www.musichaspower.org/musicinst/research.html http://www.mindinst.org/MIND3/indexresearchers.html |
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Title: Re: Vpliv glasbe II Post by Andres on 23.08.2003 at 22:32:51 V topicu Vpliv glasbe smo precej govorili o posameznem vplivu glasbe. No, tako je bilo dokler nekateri niste začeli šopate glasbenih tekstov, ki na tistem in na tem mestu nimajo nobenega pomena. Nalašč sem iskal ta komad (na kaseti v omari) nato pa sem ga še downloadal saj verjamem ima zdravilno, oz pomirjevalno moč. Star dober priznan komad je to in bi iz tega razloga želel, da ga downloadate (1,5 mb) pa mal za vaše otroke al pa vaše partnerje špilate tole. Po moje ima ta komad v sebi neko pomirjevalo ki presega farmacijo. Naslova pa itak ne povem kot sem rekel. ;) http://www.nenavadno.com/sol.mp3 Andres |
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Title: Re: Vpliv glasbe II Post by EvaZh on 23.08.2003 at 22:42:41 wuu! pashe! prav lepa hvala :D |
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Title: Re: Vpliv glasbe II Post by ten-nej on 26.08.2003 at 12:31:17 "Happy Mondays are as good as Mozart" - Tony Wilson 1990 If you've seen Amadeus, you'll know that Mozart was certainly one of the 24-hour party people; but he never had anything on Shaun William Ryder. The chemical-fuelled cartoon exploits of Shaun and his band of well-merry men have kept the papers in headlines for years. But the reason why they were newsworthy in the first place - their fantastic, funky, freaky music - has all too often been underrated, even ignored. Even Shaun himself said "I was right into sex, drugs and rock n' roll but, for me, the rock n' roll came last" well the Mondays made music so wild, so loose, so revolutionary, so trippy, so sexy, so thrilling that you can only speculate on the heights to which Shaun's pill-n-thrill-life soared. Their of-the-moment records gave a generation that combination in British rock music: something to believe in and something dance to; their inconsistent, incandescent live performances were compared to Paul McCartney to the Beatles in their Strawberry Fields period; their howled hooligan lyrics were inspired, hilarious, catch-phrase-catchy and dead clever' their don't-give-a-crappity smack messiness and crappity smack-you gang mentally were a call to arms for the next great leaders of British music, Oasis and The Verve. Happy Mondays are up there. Dirty as they comes and away with the angels. Their genius spark flickered, flared, roared, sputtered, but never went out. In response to Tony Wilson's Mozart remarks, Shaun said: "I thought he was a prick for saying it. I can't be doing with all that bollocks". Here, then, is a list of the reasons why they aren't' as good as Mozart; and here's a rabid collection of their funky trouble music so that you can make your own mind up. · The Mondays formed in the early 80's when Shaun, 19 and this 17 year old mate Mark Berry - Bez- felt that "we were getting older and we felt like we should have something more do more than just do drugs. We listened to music all the time, so starting a band seemed like an obvious idea" · They roped Shaun's younger brother, Paul, who had a bass, and a handful of other lads who all knocked around their council estate in little Hulton, North Manchester: Gaz Whelan, then only 15, to play drums; 20 year old Mark Day on guitar; and Paul "PD" Davis, 15, who wanted to play bass or drums but was forced to be the keyboardist. He wrote the notes on the keys so he'd remember them. · The were managed by Phil Saxe, who ran a Jean shop called Some Wear in the Arndale Centre. Later Phil bulk-brought cheap flares and kick-started baggy. He was replaced by Nathan McGough, a sharp minded hedonist who saw the Mondays through their high times and was kicked out when things got low. · Legend has it that Happy Mondays were signed to Factory Records after playing only their second gig, at a Battle of the Bands contest in Hacienda. Legend also has it that they won the contest. In fact, they came last. But Factory signed them, nonetheless. · Happy Mondays supported New Order on a few one-off gigs. Barney Sumner liked them because "like us, they weren't musos. The Mondays couldn't have cared less about writing proper songs or showing people how well they could play their instruments. All they really wanted to do was take loads of drugs, shag tons of girls and have a laugh. Hooky and I thought that was an admirable outlook on life". Barney produced their second single, the loose-limbed "Freaky Dancin, The Egg, after Mike Pickering produced their first, Forty Fives, a three-track EP: "Delightful", "This Feeling" and "Oasis". Pickering had been drafted in after Duritti Column's Vini Reilly had walked out after just two hours in the Monday's company. · John Cale of the Velvet Underground produced their first LP, "Squirrel And G Man Twenty Four Hour Party People Plastic Faced Carnet Smile (Whit Out)" in 1986. "He got on our nerves a bit", said Shaun. There were rows in the studio. Shaun smashed bottles over Gaz's head. Maker said "This is romance, this is corruption, this is a terrible temptation." Shaun said: "There are a lot of spaces. At the time indie rock was more a tighter faster winkle pickered finger and we were putting things out, spacious things" · 1987 saw Shaun and Bez in Ibiza. They brought back Ecstasy and gave it out at the Hacienda: "After two weeks, everyone wanted to buy E from us. We created a vibe that spread out across the dance floor from there. The Hacienda didn't change the Mondays. The Mondays changed the Hacienda. · Their second LP, the exceptional "Bummed" was produced by the late Martin Hannet, Shaun shovelled him full of E "Because it stopped him getting too bladdered' and finally, the band were able to get down the sounds they had in their heads. Before then, it was "like when you can see something but when you come to draw it on a piece of paper you can't" · "Bummed" spawned the brilliant "Wrote For Luck" - "You Used To Speak The Truth But Now You're Clever" - accompanied by the equally superb video, shot in Legends, a Manchester night club. Dark and dangerous, filled with dancing madness, Shaun slumping on the, Bez's eyes like blazing holes, it was everything the Mondays were about. A nation awoke. · Two more singles, a new version of "Lazyus", with Karl Denver, and "WFL", Paul Oaken fold and Steve Osbournes' stunning remix of "Wrote For Luck" formed a bridge between "Bummed" and the Monday's first hit single: "Manchester Rave On" EP. By this time, Shaun and Bez knew most of the people on the London Acid House Scene. · Paul Oakenfold: "For me they were the first group from a guitar background that the new youth could relate to. The Mondays acted like any bunch of normal lads rather than some stuck-up popstars, which was exactly what house music was trying to stamp out at the time. The track (WFL) basically created a new form of music and kick-started the whole indie-dance scene." · November 1989. Happy Mondays, playing "Hallelujah" from the "Rave On" EP and the Stone Roses, playing "Fools Gold", appear on Top Of The Pops. Manchester is Born. It is nurtured by 1990's "Step On" which made the Top Five. The Mondays played Glastonbury. Manchester Vibes were in the area. · "Pills N Thrills And Bellyaches" was recorded in LA, with Oakenfold and Osbourne. Oakey: "Being in LA had a huge influence. Shaun soaks in his surroundings. If he's sitting at home watching a TV documentary when he should be writing, then you have a good idea of what you're going to get." "You're Twisting My Melons" came from a Steve McQueen film. "Son I'm Thirty/I Only Went With Your Mother Cos She's Dirty" came from Shaun's filthy consciousness, and gave them their second Top Five, "Kinky Afro". · "Pills N Thrills" realised the Mondays, so-called ambitions; artistically and commercially. Shaun: "Our sound's all sorts really. Funkadelic, "One Nation Under A Groove", being eaten by a giant sandwich, that were crappity smack'in, tops, Northern Soul, punk rock, Jimi Hendrix, crappity smackin, Captain Beffheart, and lots of drugs on the top of that. It was through Bez with E. Get 'Em Down Your Neck Son, Go On, Throw 'Em Down Your Neck! You've Just Got To Pelt It Down Yer." It sold 150,000 copies in the first week of release. · The Manchester stars blazed bright and hard for two years. But by 1992, media attention had moved to Seattle grunge, and press had smudged the Mondays, crappity smacked up hooligan genius image with accusations of sexism and homophobia. They were sent away to Barbados to make a "summery" LP, with Chris Frantz and Tina Weymouth of Talking Heads. · Despite the lovely weather, "…Yes Please" was recorded in a resentful atmosphere, with band in-fighting and numerous, now-legendary mishaps: Bez broke his arm twice, Shaun acquired a crack habit and several hire cars were lost to mayhem. "I got totally crappity smackin, kettled," said Shaun. Tina Weymouth: "We have met and worked with all kinds of freaks and weirdos. But always, when it came down to it, turned out to be pretty normal people underneath. But when we met and worked with the Mondays, I realised that they were different. They were for real. They lived it every day. I never knew that people like that existed." · Factory was struggling, and London Records agreed to buy the Label, on the condition that it delivered a New Order and a Happy Mondays LP for 150,000 pounds each. "….Yes Please" cost around 400 grand. It spawned "Stinkin, Thinkin" (a reference to Shaun 12-step rehab attempts: "You aren't supposed to think any bad thoughts when you're getting straight") and "Sunshine and Love." But by the time the second single came out, Factory and the Mondays were on their knees. The 24 hour ten year party was finally finished. This record is a testament to all its kinky chaos. · Twinkle Twinkle little star. Mozart wrote that, you know. Maybe he was thinking of the Mondays………. uživajte |
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Title: Re: Vpliv glasbe II Post by ViSiON on 04.09.2003 at 08:38:42 Mislim da razlicna glasba razlicno vpliva na ljudi. Ceprav naj bi imela dolocena zvrst glasbe dolocen vpliv, to zal vedno ne drzi. Po drugi strani pa mislim da se nekaterim melodijam ne more nihce upreti oz. vpliva na ljudi pozitivno. Predvsem tu mislim na glasbo z naravnimi instrumenti, zvoki iz narave.... |
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Title: Re: Vpliv glasbe II Post by Andres on 26.12.2003 at 13:31:30 Iščem pravi naslov od tistega precej novega komada, ki tip skoz tuli f**ck f**ck f**ck. Po moje ima zakodirano dober vpliv, samo ga je treba še bolje preštudirat. Če mi ga kdo v Mp3 lahko pošlje se priporočam. Sicer pa se sigurno dobi na Kazza, ampak to vse je pri meni še vedno v razsulu. Andres |
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